Low-passing sub bass instruments consolidates them to the space they’re intended to occupy. Try this: the energy of your sub bass can hit somewhere in the 40 to 60 Hz range. Since that’s accounted for, high-pass the kick drum up to 60 Hz, and focus its energy an octave higher, around 120 Hz. This is the basic principle of mixing subs Evaluate the effectiveness of your compression - minus the extra loudness - by grouping the two channels and turning them down. 6. Use sidechain compression. Sidechain compression is ideal for balancing the dynamic interplay of drums and other mix elements. Instead of using a channel's input signal to trigger a compressor's sidechain circuit Even for the double kicks, do it! short release, but MULTIBAND SIDECHAIN. In addition to the sidechain, do cut the very low 50hz and below on the bass, and shelf it under 100hz a couple db. Maybe multiband sidechain cut 3 db or so. Make the bass shine above 100 hz, maybe 120-170hz ish. If you do that it should be decent. Hi everyone, this is my first post to this sub reddit! I have been djing drum and bass for approximately 1 year but i never quite had the confidence or was too much of a perfectionist to upload my first mix but I have finally got round to it! I would really like some feedback or any tips of improving :) Step 1: Set your project tempo to around 150bpm, then program a basic two-step beat using a drum ROMpler such as Addictive Drums 2 or Superior Drummer 2. By routing the individual outputs to separate tracks in your DAW, you'll be able to process each drum part independently. Step 2: First, ensure the bass drum and snare signals punch through Step 1: Choose the Right Compressor Plugin. Choosing the right bus compressor plugin is the initial stage when preparing to enhance the dynamics of drums in a mix. Look for a plugin that offers a user-friendly interface and provides precise control over various parameters. Check for options such as attack, release, threshold, ratio, and makeup The more prominent the l ow-frequency in your sound, the more central you should generally pan it. This tightens up you mix and creates a solid "core" to work from. Sokick drums, basses, and anything below 120Hz should be kept centred. This tip also prevents any problems when your bass region is played back on various systems. Even the most well-recorded kick drums can sound muddy, often hogging valuable low-end space. Addressing kick drum mud is simple ,often requiring a single medium to wide bell cut around 400Hz to 450Hz. The amount of cut you will need to dial in will depend on your mix but don't be afraid to pull out over 6dB if the sound warrants it. Drum bus; Bass bus; Synth bus; FX bus; I send the low and high percussion to the drum bus. You can do this for other buses as well, such as low and high synths or lead and backing vocals. The great thing about mix buses is that you can edit groups of sounds simultaneously. For example, compress all high percussion sounds at once. avpL.